Reviewed by Marcus Knapman, BSc (Hons) Computing ·
Researched from 100+ Amazon customer reviews
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Has there ever been a stranger pitch than a romance told from inside the head of a zombie? A zombie who can't remember his own name, shuffles around an abandoned airport, and falls for a girl whose boyfriend he's just eaten. It shouldn't work. It really shouldn't. Yet Warm Bodies, Isaac Marion's debut novel, manages to be funny, melancholy and oddly tender all at once.
I should be upfront about my method here. I haven't got a shelf of spare copies and a free fortnight, so what follows comes from reading through a large pile of reader reviews, studying how the book is described and received, and weighing it all against the price. No star rating from Amazon was available for me to quote, so I won't pretend otherwise. What I can say is that the pattern in the feedback is remarkably consistent.
The bottom line, then. At 99p, this is a very low-risk punt. If you've only seen the 2013 film, the book is moodier, stranger and more literary than you'd expect, and it's worth the price of a bag of crisps for that alone. It won't suit everyone, and I'll get to who should probably skip it, but for the money it's hard to argue with.
The whole book hangs on its narrator. R, as he's known because that's all he can remember of his name, is a zombie with an inner life far richer than his vocabulary. He can barely grunt a handful of words, yet his internal monologue is wry, observant and surprisingly poetic. That gap between what he thinks and what he can say is where most of the humour comes from, and it's also where the heart of the book sits.
Reader feedback keeps circling back to this point. People who expected a gory shuffle-fest tend to come away pleasantly confused, because the story is more interested in why R feels anything at all than in how he eats. If you want relentless horror, this isn't it. If you want a dead man having an existential crisis in an airport, welcome home.
Plenty of people will arrive here because of the film, and it's worth being clear about the differences. The book is darker and less polished, with a more melancholy tone and more room to sit inside R's head. The film is a breezier, more conventional teen romance by comparison. Neither is wrong, but readers who loved one often say they appreciated the other for different reasons.
Going by what reviewers say, those who read the book first tend to find the film a little sweet and tidy. Those who watched the film first often find the book bleaker than expected, and a few were put off by it. I'd say that's a fair warning. Don't buy it expecting a cuddly rom-com in prose form.
Here's where I'll plant a flag. The central love story is the book's greatest strength and, for some readers, its weakest link. The idea that a zombie and a living girl could bond is carried almost entirely by R's voice, and if his narration charms you, you'll forgive a great deal. If it doesn't, the relationship can feel rushed and a little convenient, particularly given how it begins.
That's the genuine negative in my view. The setup asks you to accept something quite uncomfortable and then move swiftly on to tenderness. Some readers in the feedback I went through found the pacing of the romance too fast, and a few felt the second half loses some of the sharpness of the first. It's a debut, and it shows in places.
What lifts this above a gimmick is the writing. Marion has a knack for a memorable line, and the book is peppered with small, striking observations about memory, loss and what it means to be alive. It reads quickly, but it leaves a mark. Several reviewers describe finishing it in a single sitting and then thinking about it for days, which is a decent endorsement for something that costs less than a penny sweet used to.
It's also a short, easy read. There's no wading through three hundred pages of scene-setting before anything happens. The pace is brisk, the chapters are digestible, and the tone shifts between funny and sad often enough to keep you on your toes.
For a full-length novel with a cult following and a film adaptation behind it, 99p is an absurdly low entry fee. Even if the book doesn't land for you, the financial sting is negligible. That changes the calculation entirely. You're not weighing up whether it's a good use of your money. You're asking whether it's a good use of a few evenings, which is a much easier question.
A word on the format, though. At this price you're almost certainly looking at a digital edition, so don't expect a handsome paperback for your shelf. If you want something to display or lend out, you'll be paying more. For reading on a phone or e-reader during a commute, it's ideal.
If you can't stand unreliable-feeling narrators or stories that lean hard on a single high-concept hook, give it a miss. The same goes if you want serious horror or a tight, plot-driven thriller. This is a character piece with a zombie-shaped coat on, and readers who wanted something different tend to say so loudly. For everyone else, it's a cheap, quirky and memorable read that rewards a bit of patience.
For 99p, Warm Bodies is an easy recommendation if you like offbeat, character-led fiction with a dark sense of humour. Skip it if you want proper horror or a polished, conventional romance.
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